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Animation, Design, digital culture
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computer science, scholarship, video rpocessing, Web Developers
THE PROJECT: The Circus Oz Living Archive: developing a model of online digital engagement for the performing arts.
The successful applicant will have demonstrated capacity in one or more of the following areas of computer science: information retrieval, image/video processing, web programming and database development. In addition, you will be excited by the prospect of contributing to a multidisciplinary team on a research project with a ?real-world? context.
The candidate will work closely with a PhD student in interaction design to cook up some innovative social media/computational outcomes for the project. Plenty more at:
http://www.circusarchive.net/blog/2011/02/computer-science-phd-scholarship/
Art, installation, interactive, Light
Digital body and interactive artworks ---
In resonance with the thematic "corps numérique" (digital body) choosen this year by the festival Chemins Numériques we are currently present our interactive artwork Lights Contacts at centre culturel Saint-Exupéry - Reims (FR).
Our installation Akousmaflore is still at the Art Gallery of Nova Scotia / Musée des Beaux-arts de la Nouvelle-Écosse - Halifax (CANADA) inside the exhibition The Last Frontier.
We'll soon present this artwork at TNT - Théatre National de Toulouse (FR) and after at Plutopia 2011 at the Mexican-American Cultural Center - Austin (USA)
At present time we build Fluides : a new interactive installation made with the support of Maison des Arts de Créteil.
We will show Fluides in march near Paris at the next Festival International EXIT - Créteil (FR).
We'll also be next time in residency at Centre des Arts d' Enghien-les-Bains (FR) in order to work on new sonorous interactions.
Hope to meet you or see you during one of our next exhibitions.
Best regards,
Scenocosme : Gregory Lasserre & Anais met den Ancxt
www.scenocosme.com
OS X, Software, Windows
The Artvertiser software for both the Windows and OS X operating systems is now available.
The Artvertiser is a fast and free realtime image-substitution platform for use
by artists and activists. It provides possibility for the substitution of any
planar image -in either live or archival video- with alternative images, movies
or 3D content.
As such, billboard advertisements, political campaigns or product placement in feature films all become valid targets for alteration and subsequent upload.
A detailed installation guide and the first of a series of Improved Reality
trainee videos can be found here:
http://theartvertiser.com/install
The project page is here:
http://theartvertiser.com
The Windows and OS X Artvertiser software should be considered BETA. It was
developed initially on GNU/Linux. Please let them know of any hiccups using
contact details in the above installation guide!
Media
Annemarie Quill, a PhD student of Geoff Lealand, is researching the relationship between preschoolers and media. As part of the research she has designed a survey for parents of children aged three or four. Attached is the invitation to take part in the survey or you can go directly to the survey on her website http://www.annemariequill.com/survey/
CoLab, Laurent Antonczak, MoTec, Moviemaker
CoLab is proud to be associated with the MiniMoviemaker Short Film
Competition and this opportunity to collaborate with digitally creative
people to showcase their work. Please watch the Visual Report (video).
CoLab is a creative technology centre focused on innovation through new
technologies. It facilitates and promotes interdisciplinary research,
development and collaboration between education, creative and commercial
industries. ( colab.org.nz )
MoTec (Mobile Technologies) enables interaction through mobile devices,
site based systems and environmentally responsive installations. It
develops software and content solutions and research in areas such as
networks, augmented reality and story-telling. ( colab.org.nz/
node/59 )
Art, Internet Art, Online, Screens
Announcing the launch of Screens, a new series of commissioned online works. Working at the intersection of art and interactivity, Screens seeks to expand this space by providing curatorial and technical support to artists, to realise works in this new field.
Seung Yul Oh opens the series with ‘Rain’, a playful, chaotic interactive which invites users to germinate an unpredictable kaleidoscope of objects, images, and sounds.
http://www.screens.org.nz/seung-yul-oh-rain/
William Bolings 'Marco Polo' is a long duration project, where the US photographer invites participants to post snapshots, memories and moments which are responded to daily - embracing, compiling or ignoring their input into his own.
http://www.screens.org.nz/william-boling-marco-polo/
screens.org.nz
_______________________________________________
http://aotearoadigitalarts.org.nz/
Art, Internet Art, Online, Screens
Announcing the launch of Screens, a new series of commissioned online works. Working at the intersection of art and interactivity, Screens seeks to expand this space by providing curatorial and technical support to artists, to realise works in this new field.
Seung Yul Oh opens the series with ‘Rain’, a playful, chaotic interactive which invites users to germinate an unpredictable kaleidoscope of objects, images, and sounds.
http://www.screens.org.nz/seung-yul-oh-rain/
William Bolings 'Marco Polo' is a long duration project, where the US photographer invites participants to post snapshots, memories and moments which are responded to daily - embracing, compiling or ignoring their input into his own.
http://www.screens.org.nz/william-boling-marco-polo/
screens.org.nz
_______________________________________________
http://aotearoadigitalarts.org.nz/
architecture, Art, Design, Digital, installation, interactive, music
In Scenocosme the artists, Gregory Lasserre and Anais met den Ancxt use interactive art, music and architecture in order to create evolutionary and interactive artwork. With multiple forms of expression, they invite the spectator to be in the centre of musical or choreographic collective performances.